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Study Abroad Programs in Venice, Italy

Studying abroad in Venice means living in a floating masterpiece. Between historic gondola rides and opera nights, this Italian gem offers more than postcard views. It’s a city where your studies blend seamlessly with local art, cuisine, and centuries-old culture. If you’re craving creativity, rich history, and a slower pace, Venice is the dream destination for a study abroad adventure.
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7 Venice, Italy Study Abroad Programs

8.676 reviews

AIFS Abroad

AIFS Abroad - European Art and Culture: Study + Travel

Examine the artistic treasures of the major cities in Europe as y...

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9.6819 reviews

Atlantis

Medical Shadowing in Italy w/ #1 Pre-Health Provider

Shadow doctors in Italy for up to 20+ hours per week. Throughout ...

9.2335 reviews

Abbey Road Programs

Italian Language and Culture Immersion in Florence

Our Florence program is one of Abbey Road's most popular study ab...

9.25 reviews

Art History Abroad

Summer Courses in Italy (2-4-7 weeks)

AHA’s summer courses are for keen travelers, curious students, an...

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How to Study Abroad in Venice

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Latest Program Reviews

Amazing, educational, and once-in-a-lifetime experience!

March 02, 2025by: Fiona Lui Martin - United StatesProgram: 6-week Gap Year Course in Italy | Art History Abroad
10

Art History Abroad was an amazing, once-in-a-lifetime experience I’m so grateful to have had. In just six jam-packed weeks I traveled to Rome, Siena, Florence, Bologna, Castelfranco, and Venice with a group of like-minded gappers and tutors. Cultural activities included painting Venetian masks, witnessing glass-blowing on Murano island, cooking traditional Italian cuisine, and marbling paper. We explored the Colosseum, Roman Forum, Uffizi, Pompeii, Ravenna Mosaics, and Guggenheim. We studied the magnum opuses of Michelangelo, da Vinci, Raphael, Donatello, Bernini, and Botticelli, among countless others, in situ. We learned to recognize the tell-tale signs of Gothic art—gold leaf, pointed arches—as opposed to that of the High Renaissance—realist muscled figures in complicated compositions—which we in turn could differentiate from the chiaroscuro and dramatic motion of the Baroque. Perhaps most special was when we, still rubbing sleep dust from our eyes in the wee hours of morning before opening time, watched the sunrise over St. Peter’s basilica and took a guided tour of the expansive Vatican museums and fresco-filled Sistine Chapel.

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